War of Kings is a blog dedicated to my favourite comic books, books, games and movies.
Showing posts with label From the Front. Show all posts
Showing posts with label From the Front. Show all posts

Wednesday, April 22, 2009

From the Front - Uncanny #506 - 507

I shall now attempt to review comics which appear to contain payoffs to storylines I have not read. Because of this, I won't put a 'victory or loss' line at the end, like I normally do.

Some scenes of Colossus and Emma Frost kicking the Russian mob around. I expect that if I had read Lovelorn, in which Colossus moped around feeling sorry for himself (I'm guessing this), seeing him cracks some skulls would have been rather more awesome. The theme here seems to be 'big guy with steel skin that can feel no physical pain who has a big heart and therefore feels intense emotional pain'. He doesn't know how to deal with physical pain, cause he usually just goes steel (hence the tattoo subplot) and so he has a really hard time dealing with his pain over the loss of Kitty. I think this is a continuation of a general theme surrounding Colossus, dealing with the feelings of a guy who can't feel anything. I think it is a good bit of character work.

I am liking Emma's story too. Issue #506 begins with a nightmare about her costume transforming from white into black. This is obviously linked to her deal with Osborne, and also the recent mini in Divided we Stand where she questions whether she has truly become good, or if there will always be a part of herself that is evil. Some people have complained about the recent trend showing her self-doubt, as she has always been full of self-confidence, to a fault, and they think this detracts from her character. I disagree - it has made me more sympathetic towards her. After all, some people seem to have hard exteriors but have lots of hidden feeling on the inside. Hmm, this sounds strangely familiar. Maybe she should go diamond, and join Colossus in cracking some skulls. Oh, wait, she does. I just hope that Emma and Scott don't split over the secrets they've been keeping from each other. Here's hoping to what doesn't break them makes them stronger…

As for Beast and Angel's team…um…why didn't Beast contact these people in Endangered Species? I thought that storyline was to show he had done everything he possibly could and there was absolutely no way to undo M-Day. I'm not so keen on this storyline.

I am more happy about getting this series now, last year I found myself constantly having to justify getting it.

As for Guardians #12, I'm still a bit lost. I'll try to work it out and put up a review soon.

Thursday, December 25, 2008

From the Front - Late for November

This is probably my last 'From the Front' post, because it looks like I'll only be buying trades from now on, and trades are reviewed in 'From the Trenches'. You may be asking yourself what I am doing writing reviews on Christmas Day. I shall explain. My great-grandparents were Danish, and the Danish tradition was that you celebrate Christmas on Christmas Eve. I have no idea if that’s what they actually do in Denmark these days, but that’s how our family does it. So we had all the eating and carolling and opening presents last night, and this morning we went to church, so there isn't really much to do on Christmas day except read our presents (because most of the presents we get seem to be ones that you read). I've been reading the Fantastic Four pocketbook I got. It has the first appearance of the Black Panther and Claw, some weirdness with Prestor John, Johnny Storm and Crystal pining after each other, and a storyline in which Dr Doom steals the Silver Surfer's powers and rides around on his surfboard. Yes, that was in the movie. But the FF pocketbooks are hard to read all in one go, so I'm taking a break. Spoilers abound.

X-Men: Pixies and Demons - Director's Cut
Which is a fancy way of saying 'We're re-publishing the FCBD story, but we need a way to justify it, so it gets a cardstock cover and the script added onto the end'. How can a comic book be a director's cut you ask? Comics don't have directors! Well, the name is justified because the script has directions from the writer to the artist as to haw the page should look. The story itself was ok, and could have easily been put in one of the Divided We Stand anthologies. Like some of those stories, it shows us what happened to one of the kids that got stuck out in the cold when Cyclops closed Xavier's. The kid being, of course, Megan Gwyn or Pixie. She went back to her small hometown in Wales, a town which is, according to all the other children there, very boring. Megan starts to suspect that something is very wrong when people start disappearing, but no one believes her - they think the people have just got fed up an left town. But then Pixie starts seeing demons that no one else can, demons called the N'Gari. I'm sure it would make a whole lot more sense to me if I had read any other stories involving these beings, but I'm not sure where to look for them. As far as I can tell, these beings feed on death. A mining accident which left a whole lot of people dead, including Megan's father, was what allowed them to appear in the town. Now they are abducting people to feed their leader, who is partially manifested at the scene of the mining accident. Poor Pixie is attempting to fight them all by her lonesome, with no idea whether any of her messages have got through to the X-Men. It is a bit too much like the other DWS stories, in that it shows us important things happening to an important character, yet it doesn't do it very well. Yes, Megan is important now. She's a main character in Uncanny. And this is how she got to be there. But there is only one moment that really shines - in the middles of a heated underground battle with the N'Gari, Pixie collapses the mine and teleports all the X-Men out, leaving them all standing around in heroic battle poses with nothing to fight. Nightcrawler is astounded by Pixie's teleportation abilities, and says she makes him feel old, which I assume has something to do with him quitting the X-Men next year. The script at the back is interesting, but it doesn't add anything new to the story.
Verdict: Minor Loss.

X-Factor #37
Yay, the X-Factor I know and love is back! Lots of harsh lighting and shadows, verbal sparring, real sparring, detective work, and evil dupes of Jamie doing nasty things. I hate saying it, but Longshot is proving a pretty good replacement for Layla, with his luck powers giving the team the same sort of edge (or X-Factor if you will) that Layla's precog powers did. And he's a lot less creepy than her. Oh, and now we have a new artist, he actually looks like Longshot, and when M gets luvy duvy with him, it actually makes sense. Anyway, whilst Val Cooper tries to convince Siryn and Rictor that she's only there to protect the baby, Madrox, Guido, M and Longshot arrive at the base of Mr. Manu looking for Darwin. I don't have the last issue, so I'm not entirely sure how found out who Mr Manu was (I'm guessing Longshot's object-memory power) but they manage to find Darwin. A whole lot of him actually. Either Manu has cloned him, or he's managed to give a whole lot of his lackeys adaptation powers. That would have been a pretty good cliffhanger, but the actual cliffhanger is Siryn's water breaking. There isn't a huge amount of storyline taking place here, but sometimes slowing down is good, especially after that sudden timeskip a few issues back. I've felt a bit disconnected from the characters since the timeskip, but this issue seems to give a glimpse at what each of the characters are thinking, and thus I feel a lot more connected to where the characters are. And - is it just me, or does Mr Manu's chin look a bit bumpy?
Verdict: Major Victory!

Saturday, October 11, 2008

From the Front - September, Second Wave

I didn't realise that Guardians was missing till I checked up on when these books came out. Must be another shipping mess up. Yay. But regardless, this is the rest of my September reviews. Hopefully I can review the first arc of Guardians (1-6) and the Secret Invasion/She-Hulk tie-in-cross-over arc of X-Factor before the end of the month.

Uncanny X-Men #502
SFX Part 3: Beginning to See the Light
The title is very apt, as Uncanny is either getting better, or I'm just enjoying it more for some reason. This issue gets across exactly how things are going to work. If, like me, you thought Karma's unannounced appearance at the end of last issue was strange, you had best get used to it. Cause Cyclops is gonna call in whoever he needs, whenever he wants. Need bait for a trap? Call in Karma, who can walk around looking like a helpless girl, but is really incredibly tough and can suddenly turn around and control her attackers minds. This issue does a far better job of introducing her then the story about her in Manifest Destiny - and she's barely in half of the book! And when the mission is finished, he thanks her and she leaves, and we don't see her again in the issue. In a similar way to Karma's appearance, Storm suddenly shows up to help attack the Hellfire Cult's base with no explanation of where she's been (probably flying in from Wakandia, but her role will be examined in the World's Apart miniseries). Colossus is apparently on the mission too, but we don't see him.

We are shown exactly what kind of leader Cyclops is - his plans aren't perfect, as Karma's ability to control people is neutralised in the first page, forcing her to withdraw, and later Empath escapes a carefully constructed web by means of a tunnel that no one knew about. On the other hand he has contingencies in place, as Logan and Kurt are on hand to take down the ambushers when Karma proves unable to control them. He's also good at rapidly analysing situations and changing plans accordingly (Emma explained this to Shanna back in the Savage Land). For the mission to the cultists base, where presumably they will still be protected from mental attacks, he tells Emma to go diamond form, using her as powerhouse instead of a telepath. This will prevent her from acting as team coordinator, so he uses Beast (with radio communicators) as co-ordinator instead. When Pixie suddenly leaves, they're short a teleporter, so he calls in Kurt again.

We also take a good look at Pixie. It takes a lot to shut her up, but Beast manages to render her speechless by introducing her to her favourite pop-star, Dazzler. Pixie then decides she just wants to be normal, and tries to sneak off, but learns there's no sneaking past Logan. He drop her off at her friend's place in a run-down warehouse, and gives her a good Logan-style talking to. He calls her girly-girl, probably because of the unicorn incident near the end of the New X-Men run. And while the X-Men are off fighting Emapth, Pixie decides to join them after all, leaving us with the famous words, 'What could possibly go wrong?'

By the way, anyone else notice the graffiti scrawled on the wall read 'Embrace Change'? Skrull propaganda is everywhere.

Verdict: Minor Victory.

X-Factor #35
Best Intentions
I decided to read this, as it could take while for #34 to get here, and it’s a SI tie in anyway, so its not absolutely essential. I was wondering if David could come up with a good reason for the real Longshot to show up, and he does. Longshot sees a picture of himself and Darwin fighting a skrull in the newspapers, so goes to Detroit to find out who's been impersonating him, and is told that XF Investigations are good at getting answers, so he pays them a visit. Hilarity ensuses as he tries to convince Guido that if he was a skrull, he wouldn't be impersonating someone they knew was a skrull, would he? This sort of thing works with Guido - but it doesn't with Rictor. If Rictor's on the team for his investigation skills rather than his powers (and we know he has investigation skills, he's the only one who realised something was off with Gameday) surely he can work out for himself that Longshot isn't a skrull?

Madrox and M are called in by the cops and shown Hector (Darwin's father) in a coma at the hospital, with severe brain damage. Longshot seems to be replacing Layla, as he gets a feeling that it would be a good idea to meet Madrox at the hospital, and uses his powers to charm the dour cop into giving him Hector's check book, leading to the reveal that Hector only wanted to find Darwin because someone was paying him to deliver Darwin to them. Except, instead of paying Hector, they shot him. How nice. But it never rains, it pours - Madrox accidentally lets out his X-Factor dupe, who tries to suffocate Hector, but fortunately he is stopped in time. But...Longshot now knows Madrox's secret. He has proved his usefulness , so it looks like he'll get a feeling that it will be a good idea to stick around for a while.

Darwin, meanwhile, is at the mercy of some nasty people, who appear to be trying to use him for some sort of genetic experiment. Why do I get the feeling that this corporation will turn out to be funded by the same mysterious person who was funding Damian Tryp and Singularity?

While the story is strong, I am still not enjoying Larry Stroman's art. It’s a bit better than issue #33, but not by much. The cover is good, but Siryn doesn't fight Longshot - in fact, she's the one who convinces Guido he is who he says he is. But we don't exapect whats on the cover to actually happen in the book anymore, do we?

Verdict: Minor Victory.

Both books aren't at their best, but they're getting there. And lastly…

Solomon Kane #1
The Castle of the Devil, Part 1
This is the first book from Dark Horse I've bought - in fact it’s the first book by a publisher other than Marvel or DC. And it was quite different. Even the paper felt different. And I must admit…I didn't quite follow the story. But it is the first of a five-parter adapting a story that Robert E. Howard never actually finished, so I'm sure my understanding will improve drastically when I have more of the story in my hands. It takes place in Germany before Kane travels to Africa, and follows his journey with incidental companion John Silent, who's name sounds vaguely familiar - I suppose he is referred to one or twice in the later stories I've read. Silent and Kane are not two people who would normally make friends, Silent doesn't quite know what to make of Kane's insistence that he is following God's will, and Kane dislikes Silent's blasphemous mouth (and yes, saying 'Name of the Devil' counted as bad swearing back then, especially to Puriatins like Kane). But a fellow Englishman is a fellow Englishman, and they find themselves starting to like each other in spite of their differences. They end up guests at the titular castle, named after the Abbey of the Devil over which it was built, made infamous by the discovory that its prior was an apostate. The Baron who resides in the castle is obovisly either very scared of some evil goings on, or is the instigator of them, but no more is revealed for now. The artwork was sombre bat well-drawn, with a pastel palette - except for the blood in Kane's fight with the bandits, which is jarringly bright red. I suppose I'm used to X-Factor in which blood is usually discoloured to a muddy brown. And its good to know I'm not jaded and still flinch at blood.

By the way, the cover scene does happen in the book. Well, almost - he's not holding his gun in the book.

Verdict: Minor Loss. I didn't particularly enjoy this, even though I usually enjoy Kane stories. But I'm hoping I will be able to revise my opinion soon.

Monday, September 22, 2008

From the Front - September

Comic shop was closed on Friday, but I finally got my comics. At least some of them. There should have been four comics waiting for me but only two had arrived. X-Factor's continued absence must have something to do with it selling out, but I have no idea why Star Wars: The Clone Wars was missing. So, I have reviews of the first issue of two X-Men miniseries for you.

X-Men: Manifest Destiny #1 (of 4 (or, possibly, 5))

Despite the numerous negative reviews, I really enjoyed this. The cover is awesome too, except it was marred by a skrull playing baseball in the corner.

Yes, the Iceman story makes no sense. Bobby says as much. But things only need to make sense to rational people, and Mystique is not rational. Now maybe its just my conspiracy tendencies creeping in, but I sensed something here that wasn't mentioned in any reviews I read. I think Mystique really does have feelings for Bobby, and she actually thinks that she is helping him. Her 'melting point' comment made me thin that she is trying to help him, if I can put it this way, reach his destiny. Why would she think this? Because of a mutant named…Destiny. Mystique did some crazy things in Messiah Complex because of what Destiny told her, and it seems to me she isn't finished yet. So in some twisted way, this makes a lot of sense.

Yes, the Boom Boom story was ridiculous. But once I realised it was meant to be ridiculous, it was ridiculous in a good way. Do all comics need to be dark and serious? Besides, anything that pokes fun at Facebook is ok by me. I'm tired of my friends going on about how awesome it is. Players of the Achaea and Lusternia MUDs have been using coffee to counteract sleeping spells for years, so the coffee trick made perfect sense, but was still hilarious.

And then there was the Karma story. I thought this was meant to be an introduction to Karma for to new readers of Uncanny who don't know her (into which category I fall) - but if so, it fails dismally. I didn't understand any of it. And the art was awful too.

And finally, how long is this series? I thought it was four issues, until the December solicits said 'of 5' and didn't seem to indicate that Iceman's journey was ending. However, this issue said '1 of 4' after all. I is confused.

Verdict: Minor Victory. I have to give this Minor Victory cause I enjoyed it so much, but the price tag makes me say: For die-hard Iceman fans only.

House of M: Civil War #1 (of 5)

I promised I'd explain why I like House of M so much. And to do that I need to go all the way back to primary school where I used to read my friend's Spider-Man and X-Men comic books. I had never heard of the Avengers. I had never heard of Iron Man, or Hawkeye or the Scarlet Witch. I had heard of Captain America, but I didn't know he was an Avenger. In high school no one bought comic books, so I never saw one again, until I found a comic shop at the Stables Market in Durban and saw X-Factor #1. It was a happy coincidence - I wanted to collect a comic series, and one was just starting, so I could collect it from the beginning. I had no idea who any of the characters were, but they were X-Men, and the story was good, so that was ok. I had no idea what had caused the Decimation - but neither did the characters, so that was ok too. When I got the two Civil War tie-ins that were less about Civil War and more about the Decimation, I thought I should find out what exactly this House of M was. So I bought the House of M trade. I loved it. I did not care that the Scarlet Witch was the enemy. After all, she was the daughter of the X-Men's greatest foe. I had no idea Layla Miller had never appeared in a comic before. After all, she was a mainstay character in X-Factor, and the (Astonishing) X-Men knew her.

I now know better, but I can't suddenly un-love House of M. Also, most of the story arcs I have in my collection (from The Longest Night to Messiah Complex) spin directly out of House of M and the Decimation. Like Layla Miller, House of M is truly the beginning for me. And I want to know how the beginning began. Even if it has a silly title. I have reversed it, because it seems to be that way round on the cover, and it makes a lot more sense to me.

So, what is the comic like? At first glance it seemed a bit disjointed, but when I read it through a second time, it actually flowed quite well despite having to cover such a large amount of time. There's not much new in the first part - we see Magnus surviving Auswich, meeting Magda, the death of his first child, Anya, and the pregnant Magda fleeing when she sees him kill the people who kept him from rescuing his daughter. But then things begin to deviate deviate - only a year later Magnus appears to have put a brotherhood together, showing that in the House of M universe, mutant numbers began to increase a lot earlier. His brotherhood consists of what appear to be a neyaphem with spiked fists, a reptilian, a fire-manipulator, and a powerhouse. They have seemingly escaped from a prison facility in France, and though spiky fists is killed, the rest are smuggled out of the country by American exchange student Suzanna Dane. When she reveals to Magnus that she is pregnant with his child he tells her to get as far away from him as possible because of the danger. I'm not sure if he's referring to his life on the run, or if he just doesn't want the child to grow up with him as a rolemodel. Then Bolivar Trask unveils his sentinels, who battle the brotherhood in Egypt. The battle ends with Magneto as the only survivor, prompting Apocalypse to offer him a place at his side, but the two soon clash over Magneto's unwillingness to kill defeated foes. Defeating Apocalypse, Magneto declares war on humanity. His declaration is broadcast on TV - and is seen by Pietro and Wanda, a very happy-looking Lorna Dane, and a concerned Charles Xavier.

I'm not sure how many of the mutants we are supposed to recognise - Banshee and Peepers are in Apocalypse's group, but I do not recognise any others. The issue could have benefitted from introducing us to the member's of the brotherhood, some of whom I am curious about. This would have given their deaths and Apocalypse's casual survival of the fittest attitude more resonance, and garnered even more sympathy for Magneto. I felt myself rooting for him - this is not the same Magneto as seen in the early X-Men comics. Despite his earlier outburst, he shows compassion to defeated humans, and a reluctance to see the conflict escalate and pull more humans and mutants into it. Wanda gave everyone their greatest wish in House of M - is this how Magneto wished he had behaved? It would seem that the Professor has not formed the X-Men, as the Sentinel factory was not destroyed - does Charles wish that he had never formed the X-Men? At long last, we are shown proof that Polaris is in fact Magneto's daughter - but in an alternate reality in which the Scarlet Witch gave people their greatest desires. It still leaves us with the question of whether Polaris really is Magneto's daughter, or if this is a product of Magneto's wish to have a family that his beliefs did not destroy. Or has Polaris always wanted Magneto to be her father? This issue brings up some surprising questions about the desires of Magneto, Polaris and the Professor, which I was not expecting.

Verdict: Major Victory! This is the best start to a miniseries I have read in a long time.

Monday, September 1, 2008

From the Front - August

I wasn't liking the black website, so I went in completely the opposite direction. Anyway, finally some comic reviews. X-Factor #33 was missing at the shop - I checked the online Marvel catalog to make sure it did actually come out the same week as the others, and it did, but it was sold out. And usually when something is sold out, I'm one of the people who doesn't get a copy. Fortunately there's a second printing, and the Layla Miller special was waiting for me, so I still get to read about an X-Factor character. I'm not worrying much about spoiler, cause I'm pretty sure most people have red these already.

X-Factor Special: Layla Miller
First off, that’s a wicked cover. Inside the book quickly goes the way of despair, death and destruction, with Layla Miller making the best lucky-I-know-what's-going-to-happen escape from imprisonment since newspapers started predicting eclipses. The creepiest part of her standing there for days on end was her muttering 'one of us' in her sleep. I thought her recent appearance in the main X-Factor book was just Jamie's imagination, but now I'm not so sure. Layla walking away from the destroyed detention camp saying 'by the way, it was 10' whilst the panel showed the large X she had drawn was also cool. Layla never misses a chance to be snarky, the winning number to the guard's pool was staring them in the face the whole time.

It seems that everyone has to rip off the phrase 'No more mutants' these days. If I never see it used again, it will be too soon. Even 80 years in the future. I must admit that the placard was still was the cleverest use of the phrase I've seen. The fact that history seems to be so easily forgotten by the general man in the street is disturbing. How will we learn from our mistakes if we can't remember them?

We meet an approximately 100-years-old Cyclops, who, in a twist, is revealed to be a cyborg. I'm sure I don't have to explain why this is cool and ironic at the same time. We also meet his daughter Ruby, the best new addition to the Summers family since… ever. I find myself really hoping to see her again.

Once again, David reminds us that a lot of what Layla knows is just because she's observant. This is what makes her such a good private investigator and justifies her being a member of X-Factor. He also reminds us that for all her bluster, Layla is still just a little girl, and knowing all the bad stuff that's going to happen has taken a toll on her.

But amidst the doom and gloom we have two rays of light. One is a simple time paradox which proves Layla will get home eventually; and the other is Ruby Summers starting the famous Summers Rebellion, promising freedom to all mutants. Although I can't help wondering: if Layla pre-empted the Summers Rebellion before it was supposed to happen - has she changed the future from Bishop's version to Damien Tryp's version?

Verdict: Major Victory! Once again Layla justifies being my favourite Marvel character.

Uncanny X-Men #501
More violence against women. Did it have to be Pixie who got beaten up? On the plus side, this issue has a version of Cyclops that I haven't seen. Unlike the one seen recently in Uncanny and X-Force, who no longer seems to have a heroic moral stance, this Scott seems to be at his wits end, and hints that the one we've seen recently is a façade. This is a Scott who builds a crib in the middile of the night in an attempt to convince himself that Cable and the baby are safe and are coming back to the present soon. They're coming back. And the baby will need a crib, cause they're coming back. I don't see how this Scott can carry on very long without suffering a nervous breakdown.

An interesting aside is that Emma hints she's considering having a baby. Think about this - the Layla Miller special takes place 10 years in the future, and Ruby hints she could be close to that age. Hmm.

The rest of the X-Men act just like they should. Beast talks like a nice guy with a high IQ actually does. Angel drives fast cars and hands them out like party favours. Wolverine drinks beer in the morning. Nightcrawler plays teleportation pranks.

The leaders of the anti-mutant Hellfire Cult are revealed to be mutants themselves - Empath and someone called the Red Queen. Now Red Queen, as far as I know, was a position that only existed in the British version of the Hellfire Club, so I'm not sure if the Hellfire Cult is actually linked to the American Hellfire Club or not. I tend to think that its linked to the 'Sisterhood of Evil Mutants' we've been told about.

And Nightcrawler's pranks -he can catch flying objects in midair and redirect them - are not just for amusement. In a modified version of the Fastball Special - which I like to call a Fastball Surprise - Colossus throws Wolverine, and Nightcrawler teleports him in front of a group of Cultist about to beat up Karma.

Verdict: Minor Victory. It should all be very entertaining, but it seems like the X-Men are slowing down and doing some reflection. Which would be ok, if they hadn't been already doing that for the last five issues.

Guardians of the Galaxy #4 (Secret Invasion)
So far Guardians of the Galaxy has been highly entertaining, but everything has been far too convenient. Star-Lord and Adam Warlock decide they need to protect the Galaxy, everyone they choose to be on the team conveniently agrees, they get an impregnable base of operations which conveniently allows them to teleport to anywhere in the Galaxy, and on their second mission they conveniently find a Captain America analogy frozen in space - the Avengers were cemented together by finding Captain America frozen in the Arctic. But now its all catching up with them. It is revealed, not in this order, that Mantis messed with the teams mind to make them agree to join them, that Cosmo didn't get proper permission for the Guardians to use Knowhere, and that Major Victory is becoming more trouble than he's worth. And if that wasn't bad enough, the teleportation cortex has been destroyed (so now, not only can no one get into Knowhere, no one can get out of it either) and is slowly killing everyone with radiation. Oh, and they've been infiltrated by skrull shapeshifters. You can tell by the banner on the cover, and the fact that there are three dead skrulls in the infirmary.

Only DnA could make the sheer ridiculousness of the Guardians into a serious story. The Guardians are at each other's throats, accusing each of being a skrull, mostly because of how ridiculous all the character's origins and powers are. The paranoia gets so high that Gamora accuses Star-Lord of being a skrull due to him hiding behind his mask all the time - even though skrulls don't need masks to look like someone, and he spends half of each issues with the mask off anyway.

Verdict: Major Victory! Maybe its just cause I haven’t got any Secret Invasion books, but I don't mind a detour into skrull territory that's written this well into the book's storyline.